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This collaborative dynamic is not an accident of casting but a deliberate goal on the part of the producers. In the end, regardless of the drama, when each member leaves the house, it’s with a friendly and bittersweet send-off.
He takes some of the edge off Natsumi, for example, gently holding her accountable for her actions while encouraging her to apologize. One of the most popular members of Boys & Girls in the City, Han-san, becomes something of a legend among housemates and viewers alike because of his mediation skills.
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(The show may be gentle, but it's not exactly progressive: On top of the gender ratio, which takes for granted that all members will be straight, women also skew younger than men.)Įven as the house members break each other’s hearts and steal each other’s food, they mostly look out for each other, showing up for each other’s performances and helping each other through conflicts, which are often clashes of personality: Yuki, the ambitious tap dancer, badgers the more laid-back Mizuki about her career goals until she cries or Natsumi, blunt bordering on callous, teases the sensitive Misaki in front of the guy she’s trying to impress. During that time, 17 “members” cycle through, always six at a time: three men and three women. Subtitled Boys & Girls in the City, the first season on Netflix takes place in a fancy, minimalist house in Tokyo and runs for just over a year. The show originally ran from 2012 to 2014 on Fuji Television, and even spawned a feature film, before Netflix signed on as a coproducer to bring it back in 2015. But since Netflix picked it up for a second run, it has slowly been gathering a cult following outside of Japan. In short, Terrace House is even more a show about nothing than Seinfeld was in the ’90s.
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You have these long stretches of quiet that, in a film or a TV show that's scripted, you would expect to eventually lead to a climax, but on this show, it's almost like it's all build, it's all tease, and you can't get enough of that tease until you get that tiny little moment.” The lack of anything eventful almost made me want to keep watching to see if anything significant would eventually happen.
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“But there's something whispering in your ear to keep watching.
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I just watched 30 minutes of Japanese people being awkward - how do they make this into a show?” says Elliot Gay, a professional video game translator and Japanese pop culture blogger. “You're almost like, what am I watching? There's nothing here. The quiet fallout, which includes tears and threatens to break up the season’s first couple, lasts for more than one episode. One of the show’s biggest conflicts, the so-called niku jiken, or “meat incident,” happens when several of the housemates eat the luxury beef one of their friends had been saving in the freezer for a special occasion. Fights - if they can be called that, as they usually happen over inside voices at the dining room table - are just as likely to be about love triangles as about whose dishes are piling up in the bedroom. Sex, when it happens, stays off-camera and almost always follows weeks of Jane Austen–like courtship, complete with group-engineered alone time and formal confessions of love. But on Terrace House, all this drama takes place at a much lower volume than it does on American reality shows. They fight, hook up, and talk behind each other’s backs.
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Even if you've never heard of the Japanese reality TV show Terrace House, you’ll recognize its premise: Six attractive young people live together in a house full of cameras.